1 00:00:10,030 --> 00:00:11,200 - PREVIOUSLY ON CALIFORNICATION... 2 00:00:11,230 --> 00:00:12,230 - DID YOU TWO COME TOGETHER? 3 00:00:12,260 --> 00:00:14,130 - NO! WE JUST CAME IN TOGETHER. 4 00:00:16,830 --> 00:00:19,240 - I'VE NEVER STEPPED OUTSIDE OF MY MARRIAGE BEFORE. 5 00:00:19,270 --> 00:00:22,140 - BUT I'M GUESSING THAT YOU FEEL LIKE YOU'RE... 6 00:00:22,170 --> 00:00:24,570 OWED ONE. 7 00:00:25,640 --> 00:00:27,210 - COME ON. YOU'RE COMING IN. 8 00:00:27,240 --> 00:00:28,550 I WANT TO TAKE A LOOK AT YOU. 9 00:00:30,710 --> 00:00:32,580 - THIS IS SO NOT FAIR. 10 00:00:35,150 --> 00:00:37,490 - DAISY... CAME TO SEE ME. 11 00:00:37,520 --> 00:00:39,420 - WHAT'D SHE SAY, THAT LITTLE TRAMP? 12 00:00:39,460 --> 00:00:42,390 - SHE SAID THAT SHE HAD CONTRACTED A FEW STDs. 13 00:00:42,430 --> 00:00:44,830 - NO, I SERIOUSLY THINK I'M GONNA THROW UP RIGHT NOW. 14 00:00:44,860 --> 00:00:46,560 - WHAT COULD POSSIBLY BE SO AWFUL 15 00:00:46,600 --> 00:00:47,560 ABOUT VISITING THE WOMAN 16 00:00:47,600 --> 00:00:50,170 WHO PUSHED YOU THROUGH HER MAGNIFICENT VAGINA? 17 00:00:50,200 --> 00:00:52,100 - CHELSEA HAS LAKERS TICKETS. 18 00:00:52,140 --> 00:00:53,500 - I'M SO EXCITED. 19 00:00:53,540 --> 00:00:55,710 I CAN'T WAIT TO SQUEEZE THAT LITTLE PEANUT. 20 00:00:55,740 --> 00:00:56,840 - I WOULDN'T GET TOO EXCITED. 21 00:00:56,870 --> 00:00:58,540 SHE HASN'T BEEN VERY PLEASANT LATELY. 22 00:00:58,580 --> 00:01:00,740 HEY! LOOK WHO'S HERE. 23 00:01:00,780 --> 00:01:02,650 NOT EVEN A HELLO. OH, GOOD TIMES. 24 00:01:02,680 --> 00:01:05,750 - WHAT? WERE YOU JUST GONNA LEAVE ME BEHIND? 25 00:01:17,430 --> 00:01:18,660 [cell phone buzzing] 26 00:01:18,700 --> 00:01:20,560 - MY GOD. 27 00:01:20,600 --> 00:01:22,330 - CHELSEA. I NEED TO TAKE THIS. 28 00:01:22,370 --> 00:01:23,330 - WHAT--WHAT DO YOU MEAN? 29 00:01:23,370 --> 00:01:25,170 WHAT, ARE YOU WITH THE ORGAN TRANSPLANT TEAM? 30 00:01:25,200 --> 00:01:26,070 SHUT THAT SHIT DOWN. 31 00:01:26,100 --> 00:01:27,740 TELL YOUR OLD MAN ABOUT YOUR WEEKEND. 32 00:01:27,770 --> 00:01:29,640 START BY TELLING ME HOW MUCH YOU MISSED ME. 33 00:01:29,670 --> 00:01:32,340 - OH, WE HAD A GRAND OLD TIME. 34 00:01:32,380 --> 00:01:34,240 - SOAKED UP SOME CULTURE, DID YOU? 35 00:01:34,280 --> 00:01:36,480 MUSEUMS, SHOPPING, GIRL TALK? SOME DIRTY-WATER HOT DOGS MAYBE? 36 00:01:36,510 --> 00:01:37,480 WHAT? 37 00:01:37,510 --> 00:01:38,880 WHOA. WHAT? WHERE YOU GOING? 38 00:01:38,920 --> 00:01:40,880 - I'M STILL ALLOWED TO PEE, AREN'T I? 39 00:01:40,920 --> 00:01:41,890 [cell phone plays tune] 40 00:01:41,920 --> 00:01:43,550 [thud] 41 00:01:46,720 --> 00:01:48,230 - REMEMBER THIS? 42 00:01:48,260 --> 00:01:50,230 REMEMBER WHEN YOU THOUGHT... - YES. 43 00:01:50,260 --> 00:01:51,700 - THAT WAS A GOOD IDEA? IT'S AWFUL. 44 00:01:51,730 --> 00:01:53,930 I DON'T RECOGNIZE HER ANYMORE. 45 00:01:53,960 --> 00:01:56,370 - I TOLD YOU. SHE'S CHANGED, RIGHT? 46 00:01:56,400 --> 00:01:58,300 SHE'S A MISERABLE LITTLE BITCH ALL THE TIME NOW. 47 00:01:58,340 --> 00:02:00,640 - I GUESS AT LEAST WE KNOW WHY, RIGHT? 48 00:02:00,670 --> 00:02:02,840 - WE DO? - CHELSEA. 49 00:02:02,870 --> 00:02:04,470 IT'S ALL SHE CARES ABOUT ANYMORE. 50 00:02:04,510 --> 00:02:06,710 CHELSEA, CHELSEA, CHELSEA. 51 00:02:06,740 --> 00:02:08,780 - WELL, I-IT'S BETTER THAN HER CARING ABOUT A BOY, RIGHT? 52 00:02:08,810 --> 00:02:11,520 'CAUSE YOU CAN'T GET PREGNANT FROM YOUR BFF. 53 00:02:11,550 --> 00:02:14,220 AT LEAST NOT WITHOUT THE AID OF A TURKEY BASTER. 54 00:02:14,250 --> 00:02:16,190 - OH, HANK, THIS ISN'T WORKING ANYMORE. 55 00:02:16,220 --> 00:02:17,390 - WHAT ISN'T WORKING? DON'T SAY THAT. 56 00:02:17,420 --> 00:02:18,390 - THIS WHOLE ARRANGEMENT. 57 00:02:18,420 --> 00:02:21,530 SHE NEEDS TO BE LIVING WITH ME RIGHT NOW, OKAY? 58 00:02:21,560 --> 00:02:23,690 I KNOW-- I KNOW SHE HATES ME. 59 00:02:23,730 --> 00:02:25,700 AND I KNOW SHE WANTS TO LIVE HERE WITH YOU. 60 00:02:25,730 --> 00:02:27,960 BUT FUCK IT. WE'RE THE PARENTS, RIGHT? 61 00:02:28,000 --> 00:02:29,670 WE GET TO DECIDE. 62 00:02:29,700 --> 00:02:31,740 - WE? - YES, WE. 63 00:02:31,770 --> 00:02:33,940 - SO WHAT, YOU'RE SAYING WE JUST PACK UP AND LEAVE L.A.? 64 00:02:33,970 --> 00:02:35,640 THE THREE OF US, MOVE BACK TO NEW YORK TOGETHER? 65 00:02:35,670 --> 00:02:37,410 - WELL, SOON, YEAH. 66 00:02:37,440 --> 00:02:39,680 END OF THE SEMESTER, WHATEVER. 67 00:02:39,710 --> 00:02:41,710 [whispering] THIS PLACE IS TOXIC. 68 00:02:41,750 --> 00:02:43,650 OKAY? 69 00:02:43,680 --> 00:02:46,450 L.A. IS NO PLACE TO RAISE A DAUGHTER. 70 00:02:46,480 --> 00:02:47,920 - THAT'S MY LINE. - I KNOW. 71 00:02:47,950 --> 00:02:49,290 - YOU'RE STEALING MY SHIT. 72 00:02:49,320 --> 00:02:51,690 ALL RIGHT. TO OUR BEAUTIFUL FAMILY... 73 00:02:51,720 --> 00:02:53,660 - I--YES. 74 00:02:53,690 --> 00:02:56,660 - OUR BLACK PRESIDENT, AND MY MAGNIFICENT DONG. 75 00:02:56,690 --> 00:02:59,660 [upbeat music] 76 00:02:59,700 --> 00:03:07,640 * 77 00:03:41,070 --> 00:03:42,140 - WHAT THE FUCK? 78 00:03:42,170 --> 00:03:44,840 I'M NOT EVEN A PART OF THIS FUCKING FAMILY ANYMORE? 79 00:03:44,870 --> 00:03:45,780 - JESUS CHRIST. KAREN! 80 00:03:45,810 --> 00:03:47,880 - SHE GETS TO DECIDE? HOW IS THAT FAIR? 81 00:03:47,910 --> 00:03:49,610 - I DON'T THINK WE WERE SHOOTING FOR FAIR, HONEY. KAREN! 82 00:03:49,650 --> 00:03:51,620 - FOR THE FIRST TIME IN MY LIFE, I'M ACTUALLY HAPPY, 83 00:03:51,650 --> 00:03:52,880 AND NOW YOU WANT ME TO PACK UP 84 00:03:52,920 --> 00:03:54,480 AND MOVE SOMEPLACE I HAVE NO FRIENDS? 85 00:03:54,520 --> 00:03:55,890 NEW YORK DOESN'T MEAN SHIT TO ME. 86 00:03:55,920 --> 00:03:57,050 IT ISN'T THE ANSWER TO ANYTHING! 87 00:03:57,090 --> 00:03:58,020 - TELLING HER TOGETHER-- 88 00:03:58,050 --> 00:04:00,290 I GUESS THAT DIDN'T WORK OUT SO WELL, DID IT? 89 00:04:00,320 --> 00:04:01,530 - OH, WELL, YOU KNOW WHAT? IT KIND OF CAME UP 90 00:04:01,560 --> 00:04:04,590 WHILE THE NARCISSIST IN THE FAMILY WAS DEEP-CONDITIONING. 91 00:04:04,630 --> 00:04:06,830 - I CAN'T BELIEVE YOU DIDN'T FIGHT FOR ME. 92 00:04:06,860 --> 00:04:08,770 - THERE'S NOTHING TO FIGHT ABOUT, HONEY. 93 00:04:08,800 --> 00:04:09,770 THIS WAS ALWAYS THE PLAN. 94 00:04:09,800 --> 00:04:12,370 - HONEY, YOU'RE GONNA BE LATE TO SCHOOL, OKAY? 95 00:04:12,400 --> 00:04:14,440 WE WILL TALK ABOUT IT LATER. 96 00:04:14,470 --> 00:04:16,570 I LOVE YOU. 97 00:04:18,040 --> 00:04:21,010 SO, WELL, THE WORST IS OVER. 98 00:04:21,040 --> 00:04:21,950 - OH, YEAH? 99 00:04:21,980 --> 00:04:23,680 YOU THINK THE FRENCH REVOLUTION WAS OVER 100 00:04:23,710 --> 00:04:25,320 WHEN THEY STORMED THE BASTILLE? 101 00:04:25,350 --> 00:04:27,080 NO, NO, NO. THEY HAD A LITTLE THING CALLED THE TERROR. 102 00:04:27,120 --> 00:04:28,080 IT HAPPENED YEARS LATER. 103 00:04:28,120 --> 00:04:29,850 - SHE WILL GET USED TO THE IDEA. 104 00:04:29,890 --> 00:04:31,460 WHO DOESN'T WANT TO LIVE IN NEW YORK? 105 00:04:31,490 --> 00:04:33,920 - MM. - ANYWAY, PROFESSOR... 106 00:04:33,960 --> 00:04:36,030 YOU NEED TO GET DRESSED. YOU'RE GONNA BE LATE. 107 00:04:36,060 --> 00:04:38,430 - NOT THAT LATE. IT'S A VERY PROGRESSIVE SCHOOL. 108 00:04:38,460 --> 00:04:39,830 THE STUDENTS PRACTICALLY TEACH THEMSELVES. 109 00:04:39,860 --> 00:04:41,030 - UH-UH, NO, STOP. - WHY? 110 00:04:41,060 --> 00:04:42,030 - STOP! - WHY? 111 00:04:42,070 --> 00:04:43,530 - BECAUSE. 112 00:04:43,570 --> 00:04:45,500 WELL, FOR A START, I DON'T KNOW WHERE YOU'VE BEEN. 113 00:04:45,540 --> 00:04:47,670 - WELL, I'M FRESHLY SHOWERED, RIGHT? 114 00:04:47,700 --> 00:04:48,970 THAT SHOULD COUNT FOR SOMETHING. 115 00:04:49,010 --> 00:04:50,710 BESIDES, I DON'T KNOW WHERE YOU'VE BEEN EITHER. 116 00:04:50,740 --> 00:04:52,710 - OH, YOU DO. - OH, I DO? 117 00:04:52,740 --> 00:04:54,540 - YEAH. - WHAT IS THAT, LIKE A RIDDLE? 118 00:04:54,580 --> 00:04:56,050 YOU GETTING ALL SPHINX-LIKE ON ME? 119 00:04:56,080 --> 00:04:59,580 - I SLEPT WITH BILL. - HA HA-HA HA-HA. 120 00:04:59,620 --> 00:05:02,820 - I SLEPT WITH BILL. 121 00:05:02,850 --> 00:05:05,960 I RAN INTO HIM AT NYU WHEN HE WAS VISITING MIA. 122 00:05:05,990 --> 00:05:07,090 - EW! UGH! 123 00:05:07,120 --> 00:05:09,060 - SHE SAYS HI, BY THE WAY. 124 00:05:09,090 --> 00:05:09,930 UM, ARE YOU OKAY? 125 00:05:09,960 --> 00:05:12,530 YOU LOOK A LITTLE SICK IN YOUR STOMACH. 126 00:05:12,560 --> 00:05:14,100 - [belches] OH... 127 00:05:14,130 --> 00:05:16,830 SHIT, YOU'RE TOTALLY NOT JOKING ABOUT THIS, ARE YOU? 128 00:05:16,870 --> 00:05:18,940 - OH... 129 00:05:18,970 --> 00:05:21,140 HANK. 130 00:05:21,170 --> 00:05:23,810 OH, COME ON, HONEY. IT'S NOT THAT BIG A DEAL. 131 00:05:23,840 --> 00:05:26,980 I MEAN, I KIND OF FELT LIKE I OWED HIM ONE. 132 00:05:27,010 --> 00:05:29,510 I DID, YOU KNOW, RUIN HIS LIFE AND ALL. 133 00:05:29,550 --> 00:05:31,580 I MEAN, THAT NIGHT THAT I MARRIED HIM, 134 00:05:31,620 --> 00:05:34,120 AND THEN I JUMPED IN THE CAR WITH YOU. 135 00:05:34,150 --> 00:05:37,550 [sighs] GOD, IT FEELS GOOD TO TELL THE TRUTH. 136 00:05:40,760 --> 00:05:42,960 COME ON, PROFESSOR. 137 00:05:42,990 --> 00:05:44,930 COME OUT OF THERE. GET DRESSED. 138 00:05:44,960 --> 00:05:47,730 I'M SO EXCITED TO GO TO CLASS WITH YOU! 139 00:05:52,000 --> 00:05:54,140 - "EVA LIFTS HER HEAD FROM HER BOOK 140 00:05:54,170 --> 00:05:56,670 "AND REGARDS THE CURIOUS FIGURE STRIDING HER WAY. 141 00:05:56,710 --> 00:05:58,980 "THE FAINT HINT OF A SMILE APPEARS ON HER FACE. 142 00:05:59,010 --> 00:06:00,740 "ADAM SLOWS DOWN, REACHING HER TABLE. 143 00:06:00,780 --> 00:06:02,910 "THEIR EYES MEET, AND IT LOOKS LIKE ADAM IS GOING TO DO IT. 144 00:06:02,950 --> 00:06:04,410 "BUT WHAT DO YOU KNOW, FOLKS? 145 00:06:04,450 --> 00:06:07,050 "HE AVERTS HIS EYES AND KEEPS RIGHT ON WALKING, 146 00:06:07,080 --> 00:06:09,050 JAMMING HIS HANDS IN HIS POCKETS." 147 00:06:09,090 --> 00:06:13,160 OKAY, SO WHAT CAN WE LEARN FROM THIS EARLY EXECRABLE WORK 148 00:06:13,190 --> 00:06:16,030 FROM A MAJOR-- AND I DO MEAN MAJOR-- 149 00:06:16,060 --> 00:06:17,030 AMERICAN AUTHOR? 150 00:06:17,060 --> 00:06:18,830 AND DON'T BE SHY. 151 00:06:18,860 --> 00:06:20,830 RIP HIM A NEW ASSHOLE OR THREE OR FOUR. 152 00:06:20,860 --> 00:06:23,800 GO. DIG IN. 153 00:06:25,000 --> 00:06:26,140 - SIR? 154 00:06:29,840 --> 00:06:31,810 SIR? 155 00:06:31,840 --> 00:06:34,040 - [laughs] YES. 156 00:06:34,080 --> 00:06:36,680 - I THINK "EXECRABLE" IS A LITTLE HARSH. 157 00:06:36,710 --> 00:06:38,850 I MEAN, I DIDN'T THINK IT WAS SO BAD. 158 00:06:38,880 --> 00:06:41,180 - AND I THINK THOSE THAT ARE AUDITING THIS CLASS 159 00:06:41,220 --> 00:06:42,520 REALLY SHOULDN'T PARTICIPATE. 160 00:06:42,550 --> 00:06:43,720 OTHERS? 161 00:06:43,750 --> 00:06:45,460 - UH, I THINK YOU SHOULD LET THE WOMAN SPEAK. 162 00:06:45,490 --> 00:06:47,590 SORRY, WHAT DID YOU SAY YOUR NAME WAS AGAIN? 163 00:06:47,620 --> 00:06:50,460 - SHE DIDN'T. NEXT. 164 00:06:50,490 --> 00:06:51,530 - WELL... 165 00:06:51,560 --> 00:06:53,030 "THEIR EYES MEET"? 166 00:06:53,060 --> 00:06:54,700 THAT'S A LITTLE HOKEY, DON'T YOU THINK? 167 00:06:54,730 --> 00:06:56,530 AND, UH... 168 00:06:56,570 --> 00:06:59,670 EVA'S WHOLE INTRODUCTION, REALLY, IS JUST... 169 00:06:59,700 --> 00:07:01,140 STUPID, YOU KNOW? 170 00:07:01,170 --> 00:07:02,610 WE KNOW SHE'S PRETTY. 171 00:07:02,640 --> 00:07:03,440 WE GET IT. - AND WE'RE OUT OF TIME. 172 00:07:03,470 --> 00:07:05,810 LOOK AT THAT. CLASS HAS NOW ENDED. 173 00:07:05,840 --> 00:07:09,080 GO IN PEACE AND LOVE TO SERVE THE WORD. 174 00:07:15,750 --> 00:07:17,120 - WELL... 175 00:07:17,150 --> 00:07:20,660 UM, HERE'S THE PAPERS ON LAST WEEK'S POETRY 176 00:07:20,690 --> 00:07:22,990 OF JAGGER AND RICHARDS. 177 00:07:23,030 --> 00:07:24,190 - THANK YOU. 178 00:07:24,230 --> 00:07:27,030 - [softly] JILL. [laughs] 179 00:07:27,060 --> 00:07:29,030 - THANKS. 180 00:07:32,100 --> 00:07:34,840 - WELL, THEN, I'LL SEE YOU NEXT WEEK. 181 00:07:34,870 --> 00:07:36,710 - THANKS, JILL. 182 00:07:39,740 --> 00:07:42,280 - YOU ARE UNBELIEVABLE. 183 00:07:42,310 --> 00:07:43,650 - WHAT? 184 00:07:43,680 --> 00:07:45,620 - SO, ADAM... 185 00:07:45,650 --> 00:07:47,180 WHICH ONE ARE YOU SLEEPING WITH? 186 00:07:47,220 --> 00:07:48,250 - EXCUSE ME? 187 00:07:48,280 --> 00:07:52,120 - MY BETS ARE ON THE YOUNG, VOLUPTUOUS STUDENT. 188 00:07:52,160 --> 00:07:53,960 SHE'S A DEFINITE... 189 00:07:53,990 --> 00:07:55,930 EVA PROTOTYPE. 190 00:07:55,960 --> 00:07:57,560 - PLEASE. THERE'S ONLY ONE EVA. 191 00:07:57,590 --> 00:07:59,900 BESIDES, IT'S AGAINST THE RULES TO SLEEP WITH STUDENTS. 192 00:07:59,930 --> 00:08:02,970 - OH, OF COURSE. YES. 193 00:08:03,000 --> 00:08:04,630 THOUGH WHEN I WAS IN COLLEGE... 194 00:08:04,670 --> 00:08:05,870 - OH, JESUS. - I SLEPT WITH-- 195 00:08:05,900 --> 00:08:07,100 - "SLEPT WITH MY PROFESSOR." I KNOW! 196 00:08:07,140 --> 00:08:08,610 I'VE HEARD QUITE ENOUGH 197 00:08:08,640 --> 00:08:10,610 ABOUT YOUR SEXUAL GOINGS-ON FOR ONE DAY. 198 00:08:10,640 --> 00:08:13,110 - I CAN'T BELIEVE YOU KEPT THIS RIDICULOUS STORY. 199 00:08:13,140 --> 00:08:15,280 I MEAN, YOU WROTE THIS WHEN YOU WERE, LIKE, 23? 200 00:08:15,310 --> 00:08:18,010 - I SAVE EVERYTHING I WRITE-- ALL PARTS OF THE BUFFALO. 201 00:08:18,050 --> 00:08:18,820 - HMM. 202 00:08:18,850 --> 00:08:21,020 - ESPECIALLY THE STUFF ABOUT YOU. 203 00:08:21,050 --> 00:08:24,320 YEAH, ONE-ACT PLAYS, HAIKUS, 204 00:08:24,350 --> 00:08:26,790 GROCERY LISTS. - [laughing] 205 00:08:26,820 --> 00:08:28,990 - HANK. OH, HANK. 206 00:08:29,030 --> 00:08:30,330 I'M SORRY, I WAS JUST WONDERING 207 00:08:30,360 --> 00:08:31,760 IF YOU WERE PICKING UP... 208 00:08:31,800 --> 00:08:34,160 - FELICIA. - THE GIRLS FROM SCHOOL TODAY. 209 00:08:34,200 --> 00:08:36,630 - K-KAREN. KAREN. - HEY. 210 00:08:36,670 --> 00:08:37,930 - FELICIA. 211 00:08:37,970 --> 00:08:40,300 - KAREN. NOT--NOT THE KAREN? 212 00:08:40,340 --> 00:08:42,210 - THE MAMACITA OF MY BAMBINA. 213 00:08:42,240 --> 00:08:44,840 SI. - HEY. I'M BECCA'S MOM. 214 00:08:44,870 --> 00:08:46,340 IT'S NICE TO MEET YOU. 215 00:08:46,380 --> 00:08:47,940 - I'M CHELSEA'S MUM. - OH, YEAH. 216 00:08:47,980 --> 00:08:50,150 - LOVELY TO MEET YOU FINALLY. 217 00:08:50,180 --> 00:08:52,750 BECCA MUST BE DELIGHTED TO HAVE YOU BACK. 218 00:08:52,780 --> 00:08:54,150 - WELL, SHE'S NOT BACK BACK. - WELL, NO. 219 00:08:54,180 --> 00:08:55,790 IT'S JUST A QUICK VISIT. 220 00:08:55,820 --> 00:08:57,920 YOU KNOW, MY WORK KEEPS ME IN NEW YORK, SO... 221 00:08:57,950 --> 00:08:59,290 - I KNOW. IT'S SO AWFUL, ISN'T IT? 222 00:08:59,320 --> 00:09:01,790 THE WHOLE WORKING-MUM THING. 223 00:09:01,830 --> 00:09:04,690 I'M SO LUCKY WITH MY TEACHING SCHEDULE. 224 00:09:04,730 --> 00:09:07,600 ACTUALLY, I'M NOT WORKING THIS AFTERNOON, 225 00:09:07,630 --> 00:09:08,900 SO I COULD PICK THEM UP IF YOU'D LIKE. 226 00:09:08,930 --> 00:09:11,130 - OH, NO, YOU KNOW WHAT? THAT'S OKAY. 227 00:09:11,170 --> 00:09:13,070 I KIND OF--I KIND OF LIKE IT. I MISS IT, ACTUALLY. 228 00:09:13,100 --> 00:09:16,670 - OH, YEAH, WELL, WHO-- WHO DOESN'T LOVE A CARPOOL LINE? 229 00:09:16,710 --> 00:09:19,040 - WELL, THEN, PROBLEM SOLVED, I GUESS. 230 00:09:19,080 --> 00:09:22,080 SO, LOVELY TO MEET YOU. - YEAH. 231 00:09:22,110 --> 00:09:23,910 AND YOU. YES. YEAH, BYE. 232 00:09:26,120 --> 00:09:29,250 OH, MY GOD, CAN YOU BELIEVE THAT WOMAN? 233 00:09:29,290 --> 00:09:31,350 - YEAH, SHE'S--SHE'S REAL CLASSY-LIKE, RIGHT? 234 00:09:31,390 --> 00:09:33,290 - [gags] - WHAT? 235 00:09:33,320 --> 00:09:34,990 - NO, AND THAT RIDICULOUS ACCENT. 236 00:09:35,020 --> 00:09:36,390 I MEAN, WHAT THE FUCK? 237 00:09:36,430 --> 00:09:37,890 - IT'S PLEASANT. - SHE WAS LIKE, YOU KNOW, 238 00:09:37,930 --> 00:09:39,360 [British accent] "SO LOVELY TO MEET YOU. 239 00:09:39,400 --> 00:09:40,430 MY--MY SCHEDULE." 240 00:09:40,460 --> 00:09:42,370 - BUT THAT--IT'S-- SHE TAUGHT TO SPEAK LIKE THAT. 241 00:09:42,400 --> 00:09:45,100 SHE'S NOT MAKING IT-- I THINK YOU'RE JEALOUS. 242 00:09:45,130 --> 00:09:46,670 ARE YOU BEING JEALOUS? 243 00:09:46,700 --> 00:09:48,300 - NO. 244 00:09:48,340 --> 00:09:49,810 - IF I DIDN'T KNOW ANY BETTER, I'D SAY YOU WERE. 245 00:09:49,840 --> 00:09:53,140 - I MEAN, NO, SHE IS DEFINITELY NOT YOUR TYPE. 246 00:09:56,080 --> 00:09:57,850 - NO. 247 00:09:59,750 --> 00:10:00,980 - THERE YOU ARE, 248 00:10:01,020 --> 00:10:03,820 YOU V.D.-RIDDLED SACK OF SHIT. 249 00:10:03,850 --> 00:10:06,920 TEN DAYS' WORTH OF ANTIBIOTICS I HAVE TO TAKE, 250 00:10:06,960 --> 00:10:08,860 JUST IN CASE, MIND YOU. 251 00:10:08,890 --> 00:10:10,230 - I'M TAKING THEM TOO, YOU KNOW, 252 00:10:10,260 --> 00:10:11,490 AND I'M GETTING TESTED TOMORROW. 253 00:10:11,530 --> 00:10:15,060 - YES, DEAR, BUT THE DELICATE BALANCE OF YEAST IN YOUR VAGINA 254 00:10:15,100 --> 00:10:17,200 ISN'T AS LIKELY TO BE COMPROMISED 255 00:10:17,230 --> 00:10:19,100 BY ALL THIS SHIT, NOW, IS IT? 256 00:10:19,140 --> 00:10:20,300 - JUST, YOU KNOW, EAT MORE YOGURT. 257 00:10:20,340 --> 00:10:23,240 HEY, I'LL MAKE YOU A SMOOTHY. 258 00:10:23,270 --> 00:10:26,340 - DO I LOOK LIKE I WANT A FUCKING SMOOTHY? 259 00:10:26,380 --> 00:10:29,050 WHOSE CORVETTE IS THAT BLOCKING THE DRIVEWAY? 260 00:10:29,080 --> 00:10:30,150 - RICK SPRINGFIELD. 261 00:10:30,180 --> 00:10:32,320 AND A SMOOTHY CAN BE VERY REFRESHING ON A HOT DAY. 262 00:10:32,350 --> 00:10:34,220 - OH, NOW YOU GOT TO BE FUCKING WITH ME. 263 00:10:34,250 --> 00:10:35,750 - WHAT FUCKING WITH YOU? 264 00:10:35,790 --> 00:10:38,960 - I SAID, WHOSE CAR IS THAT BLOCKING THE DRIVEWAY? 265 00:10:38,990 --> 00:10:40,290 - AND I SAID RICK SPRINGFIELD. 266 00:10:40,320 --> 00:10:41,790 HE'S GOT A BIG AUDITION TOMORROW, 267 00:10:41,830 --> 00:10:43,030 AND WE'RE RUNNING LINES HERE. 268 00:10:43,060 --> 00:10:43,960 - SHUT THE FUCK UP. 269 00:10:43,990 --> 00:10:46,030 RICK SPRINGFIELD IS RUNNING LINES WITH YOU 270 00:10:46,060 --> 00:10:47,430 IN MY HOUSE RIGHT NOW? 271 00:10:47,460 --> 00:10:49,300 - YES, HE'S A NEW CLIENT. I'VE TOLD YOU THIS BEFORE. 272 00:10:49,330 --> 00:10:50,370 NOW, LISTEN TO ME. 273 00:10:50,400 --> 00:10:52,840 I'M GONNA BE LATE COMING BACK FROM HIS AUDITION, 274 00:10:52,870 --> 00:10:55,040 SO I GOT EVERYTHING PREPPED FOR OUR DINNER WITH HANK AND KAREN. 275 00:10:55,070 --> 00:10:57,070 IT'S GONNA BE GUMBO. 276 00:10:57,110 --> 00:10:59,040 EVERYTHING'S GOING IN THE PRESSURE COOKER. 277 00:10:59,080 --> 00:11:02,480 ALL YOU HAVE TO DO IS REMEMBER TO START THE RICE, PLEASE. 278 00:11:02,510 --> 00:11:06,720 - RICK FUCKING SPRINGFIELD IS HERE IN MY HOUSE 279 00:11:06,750 --> 00:11:08,350 RIGHT FUCKING NOW? 280 00:11:08,380 --> 00:11:10,250 - [laughs] YES! 281 00:11:10,290 --> 00:11:13,460 HE'S UPSTAIRS HAVING A NAP, SORT OF. 282 00:11:13,490 --> 00:11:15,020 - HEY, RUNKLE. - OR WAIT. 283 00:11:15,060 --> 00:11:18,060 I SPOKE TOO SOON. HERE'S RICK NOW. 284 00:11:18,090 --> 00:11:19,800 - DUDE, DON'T YOU HAVE ANYTHING RAUNCHIER 285 00:11:19,830 --> 00:11:22,770 THAN BACK ISSUES OF GENT MAGAZINE? 286 00:11:22,800 --> 00:11:24,870 WELL... 287 00:11:24,900 --> 00:11:26,270 HELLO. 288 00:11:26,300 --> 00:11:28,240 - OH, MY GOD. 289 00:11:28,270 --> 00:11:29,370 YOU'RE REALLY-- 290 00:11:29,410 --> 00:11:32,310 RICK SPRINGFIELD IN MY HOUSE RIGHT NOW. 291 00:11:32,340 --> 00:11:33,740 UM... [clears throat] 292 00:11:33,780 --> 00:11:36,150 YOU'RE-- YOU'RE VERY TALL AND-- 293 00:11:36,180 --> 00:11:40,050 AND DARK AND HANDSOME AND, UH... 294 00:11:40,080 --> 00:11:42,090 NO. CHARLIE DOESN'T HAVE ANYTHING RAUNCHIER THAN THAT, 295 00:11:42,120 --> 00:11:43,490 BECAUSE HE LIKES TO, YOU KNOW, 296 00:11:43,520 --> 00:11:45,350 KICK IT OLD SCHOOL WITH THE PORNOGRAPHY. 297 00:11:45,390 --> 00:11:47,820 KNOW WHAT I'M SAYING? - CHURCH. 298 00:11:47,860 --> 00:11:49,460 HEY, ARE THESE MY BETA-BLOCKERS? 299 00:11:49,490 --> 00:11:52,800 I GET REAL NERVOUS BEFORE-- - OH, NO, THAT'S JUST A... 300 00:11:52,830 --> 00:11:54,130 LIP GLOSS. - OH. 301 00:11:54,160 --> 00:11:57,070 BACK IN THE OLD DAYS, SUE USED TO BLOW ME. 302 00:11:57,100 --> 00:12:00,100 BUT THESE DAYS, SHE LIKES THEM YOUNGER... 303 00:12:00,140 --> 00:12:01,970 AND BALDER. 304 00:12:02,010 --> 00:12:04,510 HEY...WOULD YOU... - OKAY. OKAY! 305 00:12:04,540 --> 00:12:06,010 DON'T YOU NEED TO BE RUNNING ALONG SOMEWHERE, 306 00:12:06,040 --> 00:12:07,110 LITTLE ONE, HMM? 307 00:12:07,140 --> 00:12:09,410 APPOINTMENTS AND SUCH? - NO, I'M OKAY. 308 00:12:09,450 --> 00:12:11,510 I JUST WANT TO STAY HERE AND TALK TO RICK SPRINGFIELD. 309 00:12:11,550 --> 00:12:13,980 - NOT ON MY WATCH, OKAY? WE GOT WORK TO DO. 310 00:12:14,020 --> 00:12:15,850 LOTS OF IT. NO TIME FOR DISTRACTIONS. 311 00:12:15,890 --> 00:12:17,890 - BUT COME ON! - ONE MORE WORD OUT OF YOU, 312 00:12:17,920 --> 00:12:19,360 AND I'M GONNA TELL HIM WHAT THOSE PILLS ARE REALLY FOR. 313 00:12:19,390 --> 00:12:20,390 - SHH! 314 00:12:20,420 --> 00:12:22,930 - * I'M FIXED TO RUIN 315 00:12:22,960 --> 00:12:25,430 * YOU'RE FIXED ON ME 316 00:12:25,460 --> 00:12:27,260 - WHEN I WAS A KID, YOU SPOKE WHEN YOU WERE SPOKEN TO, 317 00:12:27,300 --> 00:12:29,030 OR ELSE YOU WERE CHASED AROUND A KITCHEN 318 00:12:29,070 --> 00:12:30,430 WITH A WOODEN SPOON. 319 00:12:30,470 --> 00:12:33,140 - SORRY, WE WEREN'T PUT ON THIS PLANET TO ENTERTAIN YOU. 320 00:12:33,170 --> 00:12:35,440 - UNTRUE-- ENTERTAINMENT FOR THE POOR. 321 00:12:35,470 --> 00:12:37,140 THAT'S WHAT MY MOTHER ALWAYS CALLED CHILDREN. 322 00:12:37,170 --> 00:12:39,140 CLEARLY, SHE WAS WRONG. 323 00:12:39,180 --> 00:12:42,280 - HMM. WELL, MAYBE IF YOU WEREN'T POOR... 324 00:12:42,310 --> 00:12:44,010 - EXCUSE ME? - POOR? ARE WE? 325 00:12:44,050 --> 00:12:45,110 I DIDN'T GET THAT MEMO. ARE WE POOR? 326 00:12:45,150 --> 00:12:47,550 - NO OFFENSE, KAREN, BUT BECCA SHOWED ME A PICTURE 327 00:12:47,580 --> 00:12:49,290 OF THE APARTMENT WHERE YOU LIVE, 328 00:12:49,320 --> 00:12:51,420 AND I'VE BEEN IN DORM ROOMS THAT ARE BIGGER THAN THAT. 329 00:12:51,450 --> 00:12:53,360 I MEAN, I THINK THAT IT WOULD BE BEST FOR BECCA 330 00:12:53,390 --> 00:12:54,390 IF SHE COULD STAY IN L.A. 331 00:12:54,420 --> 00:12:58,260 AND HAVE AT LEAST SOME SHOT AT A NORMAL LIFE. 332 00:13:06,540 --> 00:13:08,600 - SHE DID SAY "NO OFFENSE." - [whispers] OKAY. 333 00:13:08,640 --> 00:13:11,110 - [grunts loudly] 334 00:13:11,140 --> 00:13:12,110 OOH! SHE RETURNS! 335 00:13:12,140 --> 00:13:14,040 [grunts] 336 00:13:14,080 --> 00:13:15,180 YES! 337 00:13:15,210 --> 00:13:17,580 YES, IN! ON THE FUCKING LINE! 338 00:13:17,610 --> 00:13:19,480 I'M GONNA TAKE YOU DOWN, MOMMY. 339 00:13:19,520 --> 00:13:20,420 - OH, JESUS. 340 00:13:20,450 --> 00:13:22,450 IS THERE ANY SPORT FOR WHICH YOUR FATHER 341 00:13:22,490 --> 00:13:25,150 DOES NOT HAVE THE PROPER ATTIRE? 342 00:13:25,190 --> 00:13:27,160 I BET HE SWIMS IN A SPEEDO. DOES HE? 343 00:13:27,190 --> 00:13:28,190 - [grunts loudly] 344 00:13:28,220 --> 00:13:29,960 - [squeals] OH! - YES! 345 00:13:29,990 --> 00:13:33,230 YES! YES! TAKE THAT, YOU LAZY MOTHERFUCKER! 346 00:13:33,260 --> 00:13:34,330 - OH, HELLO. 347 00:13:34,360 --> 00:13:36,030 - FELICIA. - ALL RIGHT-- 348 00:13:36,070 --> 00:13:38,070 - YOU JUST CAUGHT US GETTING SOME EXERCISE. 349 00:13:38,100 --> 00:13:39,440 HELLO. 350 00:13:39,470 --> 00:13:42,340 - HONEY, GAME'S NOT OVER. - THAT WAS JUST A POINT? 351 00:13:42,370 --> 00:13:44,110 WHAT DO YOU DO WHEN YOU WIN A WHOLE MATCH, 352 00:13:44,140 --> 00:13:45,340 SACRIFICE A CALF? 353 00:13:45,370 --> 00:13:46,880 - [laughs] HE DOESN'T... - CHEERS. 354 00:13:46,910 --> 00:13:49,650 - ACTUALLY MEAN IT, ALL THAT TRASH TALKING AND SUCH. 355 00:13:49,680 --> 00:13:53,280 THAT'S JUST HIS WAY. STACY, THIS IS BECCA'S MUM. 356 00:13:53,320 --> 00:13:54,350 - KAREN! - HI. 357 00:13:54,380 --> 00:13:56,920 - OH, SO NICE TO MEET YOU. HEARD SO MUCH ABOUT YOU. 358 00:13:56,950 --> 00:13:58,320 - OH! - DELIGHTED. 359 00:13:58,350 --> 00:14:00,290 - THANK YOU. - YOU SHOULD STAY FOR DINNER. 360 00:14:00,320 --> 00:14:02,090 JUST YOU, NOT HIM. 361 00:14:02,130 --> 00:14:03,460 - OKAY, GIVE ME THAT RACKET. 362 00:14:03,490 --> 00:14:04,460 THE DEAN HAS JUST REQUESTED 363 00:14:04,490 --> 00:14:07,100 A HEAPING HELPING OF MY BACKHAND FOR DINNER. 364 00:14:07,130 --> 00:14:09,570 - YES, OF COURSE, YOU MUST STAY. - OH, WELL, YOU KNOW, 365 00:14:09,600 --> 00:14:11,370 THAT'S REALLY KIND, BUT WE HAVE PLANS. 366 00:14:11,400 --> 00:14:13,640 WE'RE MEETING SOME FRIENDS, SO... 367 00:14:13,670 --> 00:14:15,970 - THEIR FRIENDS, NOT MINE. 368 00:14:16,010 --> 00:14:18,640 - YES. BUT THE POINT IS WE'RE GOING AS A FAMILY. 369 00:14:18,670 --> 00:14:21,210 TOUT ENSEMBLE-- SO THAT'S THE POINT. 370 00:14:21,240 --> 00:14:23,950 - AND I'D RATHER STAY HERE WITH THIS FAMILY. 371 00:14:23,980 --> 00:14:25,980 - OH, ISN'T SHE SWEET? 372 00:14:26,020 --> 00:14:27,980 YOU KNOW YOU'RE ALWAYS WELCOME HERE, BECCA. 373 00:14:28,020 --> 00:14:29,350 - YES. ALWAYS. 374 00:14:29,390 --> 00:14:31,920 - YOUR--YOUR MOM IS VISITING FROM NEW YORK. 375 00:14:31,960 --> 00:14:33,360 YOUR MOM-- HAVE YOU MET YOUR MOM? 376 00:14:33,390 --> 00:14:34,920 SHE'S ONLY GONNA BE HERE FOR A LITTLE WHILE. 377 00:14:34,960 --> 00:14:36,330 YOU WANT TO SPEND TIME WITH HER, NO? 378 00:14:36,360 --> 00:14:37,390 - NO. 379 00:14:37,430 --> 00:14:38,590 ONCE YOU DRAG ME BACK TO NEW YORK, 380 00:14:38,630 --> 00:14:42,130 ALL I'M GOING TO BE DOING IS SPENDING TIME WITH MY MOTHER. 381 00:14:42,170 --> 00:14:44,370 I CERTAINLY WON'T HAVE ANY FRIENDS. 382 00:14:44,400 --> 00:14:46,000 - ALL RIGHT, BECCA, APOLOGIZE TO YOUR MOTHER. 383 00:14:46,040 --> 00:14:48,140 - IT'S FINE. IT'S REALLY FINE. 384 00:14:48,170 --> 00:14:50,070 YOU KNOW WHAT? IT SEEMS LIKE YOU HAVE 385 00:14:50,110 --> 00:14:51,670 AN OPEN INVITATION HERE, SO IT'S-- 386 00:14:51,710 --> 00:14:52,680 - OF COURSE! 387 00:14:52,710 --> 00:14:54,680 IT'S NO PROBLEM IF YOU WANT TO STAY FOR DINNER. 388 00:14:54,710 --> 00:14:56,980 AND THAT WAY, YOU TWO CAN HAVE A LOVELY TIME WITH YOUR FRIENDS. 389 00:14:57,010 --> 00:14:59,380 - YES. THANK YOU, FELICIA. 390 00:15:06,120 --> 00:15:08,960 - KAREN COULDN'T MAKE IT. 391 00:15:08,990 --> 00:15:10,090 NOT FEELING WELL. 392 00:15:10,130 --> 00:15:11,490 - MM-HMM. 393 00:15:11,530 --> 00:15:12,730 YES! 394 00:15:12,760 --> 00:15:14,460 OH, GOD! 395 00:15:14,500 --> 00:15:16,370 OH, LOOK AT YOU. - LOOK AT YOU. 396 00:15:16,400 --> 00:15:18,430 - I MISS YOU. - IS THIS FOR ME? 397 00:15:18,470 --> 00:15:19,700 - WHAT, MY MUUMUU? 398 00:15:19,740 --> 00:15:20,840 - YOU LOOK LIKE AMERICA'S NEXT TOP SMURF. 399 00:15:20,870 --> 00:15:23,440 - IT'S JUST THE SCHMATA I WEAR AROUND THE HOUSE. WHAT? 400 00:15:23,470 --> 00:15:26,380 IN WITH YOU! - WHERE'S THE RUNKLE-ATOR? 401 00:15:26,410 --> 00:15:27,710 - WELL, HE'S STUCK IN... - RUNKLE! 402 00:15:27,740 --> 00:15:30,250 - TRAFFIC ON HIS WAY OVER FROM THE VALLEY. 403 00:15:30,280 --> 00:15:32,050 THAT MAN IS DEAD TO ME, BY THE WAY. 404 00:15:32,080 --> 00:15:33,220 DO YOU SEE THIS? 405 00:15:33,250 --> 00:15:36,320 THIS HIDEOUS VD-TYPE PUSTULE ON MY FACE? 406 00:15:36,350 --> 00:15:38,090 - OOH! - NO, NOT REALLY. 407 00:15:38,120 --> 00:15:39,320 - THAT IS DISGUSTING. - YEAH. 408 00:15:39,360 --> 00:15:40,320 - SHUT UP. - YOU SEE IT, RIGHT? 409 00:15:40,360 --> 00:15:42,260 - OH, YEAH, IT'S DEEP IN THERE. - GUESS WHAT? 410 00:15:42,290 --> 00:15:44,060 HE GAVE IT TO ME. THANKS. 411 00:15:44,090 --> 00:15:46,460 AND HE TRIED TO RAPE ME, BY THE WAY. 412 00:15:46,500 --> 00:15:47,730 BUT HOW ARE YOU? 413 00:15:47,760 --> 00:15:51,000 - I'M GOOD. I-I--YOU KNOW, BECCA, SHE'S-- 414 00:15:51,030 --> 00:15:52,200 - HELLO. - I KNOW. 415 00:15:52,240 --> 00:15:54,200 - HELLO. MAKE WAY FOR THE VICTORS. 416 00:15:54,240 --> 00:15:56,370 VICTORY. - HE GOT THE PART? 417 00:15:56,410 --> 00:15:59,540 YOU GOT THE PART? OH, MY GOD! 418 00:15:59,580 --> 00:16:01,510 CONGRATULATIONS... 419 00:16:01,540 --> 00:16:04,410 - IS THAT RICK SPRINGFIELD? - I BELIEVE IT IS, YEAH. 420 00:16:04,450 --> 00:16:08,750 - AND WHO ARE YOU, PRETTY LADY? 421 00:16:13,360 --> 00:16:15,660 - RICK SPRINGFIELD AND ANDY GIBB ON SOLID GOLD-- 422 00:16:15,690 --> 00:16:17,430 THIS MEANS NOTHING TO YOU? 423 00:16:17,460 --> 00:16:18,290 - I REMEMBER. 424 00:16:18,330 --> 00:16:20,730 EVERYBODY LOVED RICK SPRINGFIELD, RIGHT? 425 00:16:20,760 --> 00:16:22,500 - SHE JUST DIDN'T HAVE THE POSTER OVER HER BED. 426 00:16:22,530 --> 00:16:26,240 YOU--I'M GUESSING YOU PRACTICED YOUR SHE-BOPPING TO THAT, HUH? 427 00:16:26,270 --> 00:16:28,100 - YOU KNOW WHAT ALWAYS USED TO START MY MOTOR? 428 00:16:28,140 --> 00:16:29,240 MANNIX. 429 00:16:29,270 --> 00:16:30,810 THAT TALL ARMENIAN 430 00:16:30,840 --> 00:16:32,780 WITH A GREAT HEAD OF HAIR--MMM. 431 00:16:32,810 --> 00:16:37,050 JUST THINKING OF HIM STILL GETS MY JUICES FLOWING. 432 00:16:38,310 --> 00:16:40,450 - TEEN FANTASIES ARE GREAT, OKAY? 433 00:16:40,480 --> 00:16:42,390 YOU KNOW, I'VE HAD SOME OF MY OWN. 434 00:16:42,420 --> 00:16:44,350 - OH, YEAH, WHAT, YOU? DURAN DURAN? 435 00:16:44,390 --> 00:16:46,820 - HA. - BOY GEORGE? 436 00:16:46,860 --> 00:16:48,460 - CHERYL TIEGS, THANK YOU VERY MUCH. 437 00:16:48,490 --> 00:16:50,830 MY POINT IS, YOU HAVE TO REMEMBER-- 438 00:16:50,860 --> 00:16:52,530 MUSICIANS, ACTORS, MODELS-- 439 00:16:52,560 --> 00:16:54,760 THESE ARE PEOPLE WITH FLAWS AND SUCH. 440 00:16:54,800 --> 00:16:57,370 I MEAN, THERE'S NO WAY THEY COULD POSSIBLY LIVE UP 441 00:16:57,400 --> 00:16:59,440 TO THE EXCITEMENT, THE MYSTERY 442 00:16:59,470 --> 00:17:01,770 THAT OUR TORTURED TEEN PSYCHES CHOOSE TO PROJECT UPON THEM. 443 00:17:01,800 --> 00:17:04,370 THAT--THAT'S MY POINT. - OH, MY GOD. 444 00:17:04,410 --> 00:17:05,710 - I MADE A GIRL COME SEVEN TIMES ONCE. 445 00:17:05,740 --> 00:17:07,410 - [gasps] 446 00:17:07,440 --> 00:17:08,410 - OH... 447 00:17:08,440 --> 00:17:11,550 - OVER THE COURSE OF AN ENTIRE RELATIONSHIP? 448 00:17:11,580 --> 00:17:12,720 - [giggling] 449 00:17:12,750 --> 00:17:15,150 - ALL IN A ROW? 450 00:17:15,180 --> 00:17:17,150 SWEET JESUS. 451 00:17:17,190 --> 00:17:19,560 - WHO'S READY FOR DESSERT? I KNOW I AM. 452 00:17:19,590 --> 00:17:21,260 - CHEERS TO YOU, RICK SPRINGFIELD. 453 00:17:21,290 --> 00:17:22,430 HOLD ON A SECOND. 454 00:17:30,430 --> 00:17:32,170 - WHAT ARE YOU DOING MOPING IN THE FRIDGE? 455 00:17:32,200 --> 00:17:35,270 '80s POP LEGEND RICK SPRINGFIELD IS IN THERE STEALING YOUR GIRL, 456 00:17:35,300 --> 00:17:36,740 NOT JESSIE'S GIRL, YOUR GIRL, 457 00:17:36,770 --> 00:17:39,140 RUNKLE'S GIRL. - I'M WELL AWARE OF THIS FACT. 458 00:17:39,180 --> 00:17:40,580 - SO GET IN THERE AND MAKE HER JEALOUS. 459 00:17:40,610 --> 00:17:42,580 - WITH WHAT? YOU GONNA LOAN ME KAREN? 460 00:17:42,610 --> 00:17:44,180 - THAT'S DISGUSTING. WHAT'S WRONG WITH YOU? 461 00:17:44,210 --> 00:17:45,650 - WHAT'S WRONG WITH YOU? - FUCK YOU. 462 00:17:45,680 --> 00:17:46,650 [cell phone rings] 463 00:17:46,680 --> 00:17:48,220 YELLO. 464 00:17:48,250 --> 00:17:49,450 SHIT, REALLY? 465 00:17:49,490 --> 00:17:52,320 UM...[stammering] ALL RIGHT, W-W-WE'LL-- 466 00:17:52,360 --> 00:17:53,520 YEAH. WE'LL BE RIGHT OVER. 467 00:17:53,560 --> 00:17:54,590 WE GOT TO GO. - WHAT? 468 00:17:54,620 --> 00:17:55,690 - LITTLE PROBLEM WITH THE OFFSPRING. 469 00:17:55,720 --> 00:17:57,190 DON'T PANIC, NO, NO, NO. 470 00:17:57,230 --> 00:17:58,860 THEY JUST-- IT SEEMS BECCA AND CHELSEA 471 00:17:58,890 --> 00:18:00,830 STAGED A RAID ON THE DEAN'S WINE CELLAR. 472 00:18:00,860 --> 00:18:04,270 - OH, MY GOD. I KNEW THAT CHELSEA WAS TROUBLE. 473 00:18:04,300 --> 00:18:05,700 OH--[smooches] HONEY, I-- 474 00:18:05,730 --> 00:18:07,700 - OKAY. CALL ME LATER. - VERY NICE TO MEET YOU. 475 00:18:07,740 --> 00:18:10,270 - I HOPE SHE'S OKAY. - BYE, RICK SPRINGFIELD. 476 00:18:10,310 --> 00:18:12,710 - BYE, GUYS. 477 00:18:12,740 --> 00:18:15,210 - MM. [clears throat] DO YOU WANT TO, UM... 478 00:18:15,240 --> 00:18:18,180 GO UP TO MY ROOM AND LISTEN TO SOME RECORDS? 479 00:18:20,280 --> 00:18:22,820 - ONLY IF THEY'RE MINE. - CHURCH. 480 00:18:27,660 --> 00:18:29,160 - SO, RUNKLE, 481 00:18:29,190 --> 00:18:31,930 WHAT ARE YOU SERVING FOR DESSERT? 482 00:18:31,960 --> 00:18:33,900 I KNOW WHAT I WANT. 483 00:18:33,930 --> 00:18:36,930 - TUBE STEAK. YES, I KNOW. 484 00:18:36,970 --> 00:18:39,570 LISTEN, SUE, THIS IS, UH... 485 00:18:39,600 --> 00:18:42,710 A REALLY DIFFICULT TIME FOR ME RIGHT NOW, 486 00:18:42,740 --> 00:18:45,240 AND BESIDES, I SHOULD PROBABLY LET YOU KNOW 487 00:18:45,270 --> 00:18:46,610 I THINK I HAVE V.D. 488 00:18:46,640 --> 00:18:47,940 - OH, NO WORRIES. 489 00:18:47,980 --> 00:18:51,810 OH, JUST SLAP A BAG ON IT, AND I'M GOOD TO GO. 490 00:18:55,280 --> 00:18:56,790 - WELCOME. 491 00:18:56,820 --> 00:18:59,190 GLASS OF CAB? 492 00:18:59,220 --> 00:19:01,920 OH, FUCK, I FORGET WHAT FUCKING YEAR THIS IS. 493 00:19:01,960 --> 00:19:02,930 STACY! 494 00:19:02,960 --> 00:19:03,990 - SHE'S DRUNK. - NO. 495 00:19:04,030 --> 00:19:06,200 - LOOK, SHE CAN'T EVEN WALK IN A STRAIGHT LINE. 496 00:19:06,230 --> 00:19:08,260 - FELICIA, ARE YOU DRUNK? 497 00:19:08,300 --> 00:19:09,470 - JUST A TINY BIT. 498 00:19:09,500 --> 00:19:10,830 SEEMS SUCH A SHAME 499 00:19:10,870 --> 00:19:13,200 TO LET ALL THAT PERFECTLY GOOD WINE GO TO WASTE. 500 00:19:13,240 --> 00:19:14,900 THEY OPENED ABOUT $3,000 WORTH. 501 00:19:14,940 --> 00:19:16,610 WHICH IS THE ONE YOU WERE SAVING 502 00:19:16,640 --> 00:19:18,410 FOR OUR 20TH ANNIVERSARY? 503 00:19:18,440 --> 00:19:20,840 NOT THAT WE'RE EVER GONNA GET THERE, AT THIS POINT. 504 00:19:20,880 --> 00:19:22,950 - OH, DARLING, I THINK YOU SHOULD SLOW DOWN A LITTLE BIT. 505 00:19:22,980 --> 00:19:24,950 KAREN, MAY I GET YOU A GLASS? 506 00:19:24,980 --> 00:19:28,680 I'VE GOT AN '82 PETRUS, AN '86 CHATEAU MARGAUX, 507 00:19:28,720 --> 00:19:31,420 AND A '92 SCREAMING EAGLE CAB THAT'LL BLOW YOUR MIND. 508 00:19:31,450 --> 00:19:32,690 WHAT CAN I GET YOU? 509 00:19:32,720 --> 00:19:35,790 - THIS IS NOT SOME FUCKING SOCIAL OCCASION! 510 00:19:35,820 --> 00:19:37,890 I HAVE COME HERE TO COLLECT MY DAUGHTER! 511 00:19:37,930 --> 00:19:39,430 OKAY, SO WHERE IS SHE? 512 00:19:39,460 --> 00:19:40,560 - WHOA, WHOA, WHOA, WHOA. - BECCA! 513 00:19:40,600 --> 00:19:42,230 - I UNDERSTAND YOUR CONCERN, BUT... 514 00:19:42,270 --> 00:19:43,700 - BECCA! - IS PROFANITY REALLY WARRANTED? 515 00:19:43,730 --> 00:19:45,870 - WHERE THE FUCK IS SHE? - IT'S A BIG HOUSE. 516 00:19:45,900 --> 00:19:47,640 THEY KEEP THE KIDS CHAINED IN THE BASEMENT. 517 00:19:47,670 --> 00:19:49,440 SHE'S NOT AS SCARY AS SHE SEEMS. 518 00:19:49,470 --> 00:19:51,510 SHE HAS SOME ANGER-MANAGEMENT ISSUES. 519 00:19:51,540 --> 00:19:52,640 - THANK YOU. - EXCELLENT. 520 00:19:52,680 --> 00:19:54,240 A WHOLE FAMILY OF SOCIOPATHS. 521 00:19:54,280 --> 00:19:55,980 - OKAY, IN THIS CASE, MAYBE SHE'S RIGHT. 522 00:19:56,010 --> 00:19:57,780 WE SHOULD JUST GET BECCA AND LEAVE. 523 00:19:57,810 --> 00:19:59,450 - YES! - OH, WHATEVER YOU LIKE. 524 00:19:59,480 --> 00:20:01,920 I-I DON'T SEE WHY WE CAN'T ALL JUST SIT DOWN AS ADULTS 525 00:20:01,950 --> 00:20:03,690 AND TALK THIS THING THROUGH. 526 00:20:03,720 --> 00:20:05,250 - WHAT? YOUR IDEA OF SHITTY PARENTING? 527 00:20:05,290 --> 00:20:06,960 - UH-OH. 528 00:20:06,990 --> 00:20:08,860 - OH, WELL, I DON'T THINK THAT'S OUR PLACE TO COMMENT, 529 00:20:08,890 --> 00:20:09,960 EVEN THOUGH YOU'RE ABSOLUTELY RIGHT. 530 00:20:09,990 --> 00:20:13,260 - LET'S ALL JUST TRY TO KEEP COOL HEADS, SHALL WE? 531 00:20:13,300 --> 00:20:15,000 THE GIRLS ARE JUST TESTING OUR BOUNDARIES. 532 00:20:15,030 --> 00:20:17,300 IT'S ALL PERFECTLY NORMAL FOR THEIR AGE RANGE. 533 00:20:17,330 --> 00:20:19,340 - NORMAL FOR CHELSEA, MAYBE. 534 00:20:19,370 --> 00:20:21,600 - ARE YOU IMPLYING THAT THIS IS ALL CHELSEA'S FAULT? 535 00:20:21,640 --> 00:20:23,270 - OH, NO, I'M NOT IMPLYING ANYTHING. 536 00:20:23,310 --> 00:20:25,540 I'M JUST SAYING IT FLAT OUT. - OH, YOU'VE GOT A LOT OF NERVE. 537 00:20:25,570 --> 00:20:27,480 - OH, SHIT, NOW YOU'VE ANGERED THE DEAN. 538 00:20:27,510 --> 00:20:29,610 BECCA! BECCA! - HANK, FIND HER. 539 00:20:29,650 --> 00:20:31,750 - FUCK IT, STACY. SHE'S RIGHT. 540 00:20:31,780 --> 00:20:33,680 THIS IS OBVIOUSLY CHELSEA'S FAULT. 541 00:20:33,720 --> 00:20:35,050 BECCA DOESN'T HAVE THE GUMPTION 542 00:20:35,080 --> 00:20:36,890 TO GET IN ANY KIND OF SERIOUS TROUBLE. 543 00:20:36,920 --> 00:20:38,490 SHE'S A FOLLOWER. - EXCUSE ME? 544 00:20:38,520 --> 00:20:40,360 - OH, NO, NO, NO. I MEANT IT IN A NICE WAY. 545 00:20:40,390 --> 00:20:41,960 YOU KNOW, TEENAGERS SUCK. 546 00:20:41,990 --> 00:20:44,490 THEY'RE ALL BLOODY AWFUL, CHELSEA IN PARTICULAR. 547 00:20:44,530 --> 00:20:46,830 I JUST HOPE SHE MAKES IT TO 17 WITHOUT GETTING PREGNANT. 548 00:20:46,860 --> 00:20:47,900 - HONEY! 549 00:20:47,930 --> 00:20:49,830 - THAT'S NOT FAIR. 550 00:20:49,870 --> 00:20:52,900 [slurring] YOU'RE ALL SUCH FUCKING HYPOCRITES. 551 00:20:52,940 --> 00:20:56,370 WE ARE THE WAY WE ARE 552 00:20:56,410 --> 00:20:58,870 BECAUSE YOU MADE US THIS WAY. 553 00:20:58,910 --> 00:21:01,510 - OKAY, SWEETIE, COME ON. LET'S GO HOME. 554 00:21:01,540 --> 00:21:03,680 - I DON'T WANT TO GO HOME. - [whispering] HANK! 555 00:21:03,710 --> 00:21:06,480 - I WANT YOU ALL TO LISTEN TO ME FOR ONCE! 556 00:21:06,520 --> 00:21:08,450 - SWEETIE, WE'RE HERE. 557 00:21:08,480 --> 00:21:09,920 ALL RIGHT? WE'RE LISTENING. 558 00:21:09,950 --> 00:21:11,790 WE'RE ALL EARS. 559 00:21:11,820 --> 00:21:13,860 WHAT IS IT YOU WANT TO SAY? 560 00:21:13,890 --> 00:21:15,920 WHAT IS IT-- OH, BOY. 561 00:21:15,960 --> 00:21:16,930 - OH! 562 00:21:16,960 --> 00:21:19,700 - [whimpers] 563 00:21:22,700 --> 00:21:26,370 [loud moaning, thudding sounds] 564 00:21:26,400 --> 00:21:29,670 [I've Done Everything For You playing] 565 00:21:29,710 --> 00:21:31,670 - YES, YES, YES, YES! 566 00:21:31,710 --> 00:21:34,710 [thudding] 567 00:21:34,740 --> 00:21:37,050 - OH, I FUCKING LOVE THIS PART! 568 00:21:37,080 --> 00:21:41,850 - ME TOO, ME TOO, ME TOO! AH AH AH AH AH! 569 00:21:41,880 --> 00:21:44,450 - HI. WHAT TOOK YOU SO LONG, RUNKLE? 570 00:21:44,490 --> 00:21:47,090 YOU KNOW, THEY'VE BEEN AT IT FOR A WHILE OVER THERE. 571 00:21:47,120 --> 00:21:48,560 SOUNDS GOOD TOO. 572 00:21:48,590 --> 00:21:50,890 I ALMOST STARTED WITHOUT YOU. 573 00:21:50,930 --> 00:21:54,700 - I'M JUST FINISHING UP SOME DISHES. 574 00:21:54,730 --> 00:21:55,700 [clears throat] 575 00:21:55,730 --> 00:21:57,830 I THOUGHT I'D LET A FEW THINGS [sobs] SOAK. 576 00:21:57,870 --> 00:21:59,500 - RUNKLE, ARE YOU-- 577 00:21:59,540 --> 00:22:00,700 WERE YOU CRYING? 578 00:22:00,740 --> 00:22:02,770 - AH... 579 00:22:02,810 --> 00:22:05,440 MAYBE, A LITTLE. 580 00:22:05,470 --> 00:22:06,610 YES. 581 00:22:06,640 --> 00:22:08,080 - OH, PLEASE! 582 00:22:08,110 --> 00:22:09,580 OVER THAT? 583 00:22:09,610 --> 00:22:11,810 THAT'S KIDS' STUFF. 584 00:22:11,850 --> 00:22:14,480 IGNORE IT. - DESTROY ME, RICK SPRINGFIELD! 585 00:22:14,520 --> 00:22:16,720 - LISTEN TO THAT, WILL YOU? 586 00:22:16,750 --> 00:22:19,120 I DON'T KNOW HOW TO COMPETE WITH THAT! 587 00:22:19,150 --> 00:22:21,490 THE ONLY TIME I EVER MADE MARCY SQUEAL LIKE THAT 588 00:22:21,520 --> 00:22:23,130 WAS WHEN I PUT THE RING ON HER FINGER! 589 00:22:23,160 --> 00:22:24,630 - HARRY WINSTON? 590 00:22:24,660 --> 00:22:26,500 - TIFFANY. 591 00:22:26,530 --> 00:22:28,500 - OH, RUNKLE. 592 00:22:28,530 --> 00:22:31,470 YOU ARE THE SADDEST SACK I HAVE EVER SEEN! 593 00:22:31,500 --> 00:22:34,740 TO YOU, THE GLASS IS ALWAYS HALF EMPTY, HUH? 594 00:22:34,770 --> 00:22:36,140 NEVER HALF FULL? 595 00:22:36,170 --> 00:22:39,680 - RIGHT NOW MY WIFE IS HALF FULL OF RICK SPRINGFIELD! 596 00:22:39,710 --> 00:22:41,140 - THAT'S EXACTLY WHAT I MEAN. 597 00:22:41,180 --> 00:22:42,110 MEN. 598 00:22:42,140 --> 00:22:44,150 I MEAN, YOU ARE THE BIGGEST BUNCH OF PUSSIES 599 00:22:44,180 --> 00:22:45,550 THERE EVER WAS. 600 00:22:45,580 --> 00:22:48,050 - YES, YES, YES! 601 00:22:48,080 --> 00:22:49,650 - YOU'RE LEAVING? - YEAH. 602 00:22:49,690 --> 00:22:51,620 WELL, I'M GONNA LET YOU OFF THE HOOK THIS TIME. 603 00:22:51,650 --> 00:22:54,020 [yelling and thudding continues] BUT BEFORE I GO... 604 00:22:54,060 --> 00:22:55,520 I'M GONNA GIVE YOU A LITTLE TIP 605 00:22:55,560 --> 00:22:58,560 ON HOW TO GET YOUR HOT LITTLE WIFEY BACK. 606 00:22:58,590 --> 00:23:03,630 SEX IS SUPPOSED TO BE ABOUT JOY, RUNKLE, 607 00:23:03,670 --> 00:23:06,030 PURE JOY. 608 00:23:06,070 --> 00:23:07,770 [thudding and moaning] 609 00:23:07,800 --> 00:23:10,540 AND IF YOU'VE FORGOTTEN WHAT THAT SOUNDS LIKE... 610 00:23:10,570 --> 00:23:12,210 AH! 611 00:23:12,240 --> 00:23:13,610 OH! 612 00:23:13,640 --> 00:23:16,180 OH! DON'T STOP! 613 00:23:16,210 --> 00:23:18,650 RUNKLE, NO! DON'T... 614 00:23:18,680 --> 00:23:19,780 STOP! 615 00:23:19,820 --> 00:23:21,520 OH, GOD! 616 00:23:21,550 --> 00:23:22,890 YOU ARE GOOD! 617 00:23:22,920 --> 00:23:24,920 OH, OH, OH! 618 00:23:24,950 --> 00:23:28,560 AH! THAT IS PERFECT! 619 00:23:28,590 --> 00:23:29,590 AH! 620 00:23:29,630 --> 00:23:31,190 OH, THAT'S--OH--OH-- 621 00:23:31,230 --> 00:23:34,030 THAT IS PERFECT! 622 00:23:34,060 --> 00:23:37,070 [music stops, silence] 623 00:23:38,630 --> 00:23:41,200 AHH! 624 00:23:41,240 --> 00:23:43,970 [silence] 625 00:23:46,270 --> 00:23:49,110 COLLINI...OUT. 626 00:23:54,680 --> 00:23:56,950 - COME ON, TAKE THIS. 627 00:23:56,990 --> 00:23:59,860 - NOW, YOU MAY WAKE UP IN THE MIDDLE OF THE NIGHT... 628 00:23:59,890 --> 00:24:01,820 POSSIBLY CRAVING AN EGG MCMUFFIN. 629 00:24:01,860 --> 00:24:04,130 THE IMPORTANT THING IS NOT TO GET OFF THE RIDE AT THAT POINT, 630 00:24:04,160 --> 00:24:05,630 BUT TO REMAIN IN YOUR SEAT 631 00:24:05,660 --> 00:24:09,000 WITH YOUR SEATBELT SECURELY FASTENED. 632 00:24:09,030 --> 00:24:11,600 OKAY, SWEETIE? 633 00:24:11,630 --> 00:24:13,840 - GOOD NIGHT, SWEETIE. 634 00:24:13,870 --> 00:24:17,070 I PROMISE, EVERYTHING WILL BE BETTER TOMORROW. 635 00:24:17,110 --> 00:24:19,510 - EXCEPT FOR YOUR HEAD. THAT'LL FEEL MUCH WORSE. 636 00:24:19,540 --> 00:24:22,110 - STAY. 637 00:24:29,050 --> 00:24:31,190 - WHAT'S UP, SWEETIE? 638 00:24:31,220 --> 00:24:34,060 - WE DON'T HAVE TO DO WHAT SHE SAYS, YOU KNOW. 639 00:24:34,090 --> 00:24:37,030 - WHAT WHO SAYS? - HER. 640 00:24:37,060 --> 00:24:39,290 THE ENEMY. 641 00:24:39,330 --> 00:24:41,230 - YOUR MOM IS NOT THE ENEMY. 642 00:24:41,260 --> 00:24:43,600 SHE LOVES YOU. SHE WANTS WHAT'S BEST FOR YOU. 643 00:24:43,630 --> 00:24:45,930 - MOM DOESN'T UNDERSTAND. SHE NEVER WILL. 644 00:24:45,970 --> 00:24:48,700 THIS IS IT, OKAY? 645 00:24:48,740 --> 00:24:51,270 I'M NOT JUST GONNA WAKE UP ONE DAY AND BE LIKE HER-- 646 00:24:51,310 --> 00:24:53,980 SIX FEET TALL AND BEAUTIFUL. 647 00:24:55,580 --> 00:24:58,150 - YOU ALREADY ARE BEAUTIFUL. 648 00:24:58,180 --> 00:25:01,850 - CHELSEA'S THE ONLY FRIEND I'VE EVER HAD, 649 00:25:01,880 --> 00:25:04,690 THE ONLY ONE WHO ACCEPTS ME FOR WHO I REALLY AM. 650 00:25:04,720 --> 00:25:07,160 - THAT IS NOT TRUE. - IT IS. 651 00:25:07,190 --> 00:25:09,590 DO YOU KNOW WHAT IT'S LIKE 652 00:25:09,630 --> 00:25:12,230 TO HAVE NO ONE AND NOTHING, 653 00:25:12,260 --> 00:25:15,000 HOW TOTALLY AWFUL THAT FEELS? 654 00:25:17,230 --> 00:25:19,700 - YES, I THINK I DO. I-- 655 00:25:19,740 --> 00:25:23,910 ONCE UPON A TIME, I FELT LIKE THAT. 656 00:25:23,940 --> 00:25:25,810 NOW I HAVE YOU. 657 00:25:28,780 --> 00:25:31,150 - YET, SOMEHOW... 658 00:25:31,180 --> 00:25:33,650 I STILL HAVE NOTHING. 659 00:25:35,920 --> 00:25:38,890 [Letters to Cleo's I Want You to Want Me] 660 00:25:38,920 --> 00:25:41,690 * 661 00:25:41,720 --> 00:25:44,360 - * I NEED YOU 662 00:25:44,390 --> 00:25:45,630 - GOOD NIGHT. 663 00:25:45,660 --> 00:25:46,860 - * TO NEED ME 664 00:25:48,760 --> 00:25:54,370 * I'D LOVE YOU TO LOVE ME 665 00:25:54,400 --> 00:25:58,070 * I'M BEGGIN' YOU 666 00:25:58,110 --> 00:26:01,710 * TO BEG ME 667 00:26:03,710 --> 00:26:05,050 - THANKS. 668 00:26:07,180 --> 00:26:09,250 SO... 669 00:26:09,280 --> 00:26:11,390 [sighs] I GUESS YOU'RE ON HER SIDE, 670 00:26:11,420 --> 00:26:13,820 LIKE YOU GUYS ARE THIS TEAM RIGHT NOW. 671 00:26:13,860 --> 00:26:16,260 - WE'RE A TEAM, ALL RIGHT. 672 00:26:18,130 --> 00:26:21,360 JUST NOT A VERY GOOD ONE, 673 00:26:21,400 --> 00:26:23,370 NOT WITHOUT OUR CAPTAIN. 674 00:26:23,400 --> 00:26:25,000 YOU KNOW, YOU'RE RIGHT. 675 00:26:25,030 --> 00:26:27,100 L.A. IS NO PLACE TO RAISE A DAUGHTER 676 00:26:27,140 --> 00:26:29,200 OR A DAD. 677 00:26:29,240 --> 00:26:31,370 WE NEED YOUR GUIDANCE. 678 00:26:31,410 --> 00:26:33,610 WE NEED YOU, MOMMY DEAREST... 679 00:26:35,140 --> 00:26:38,380 REALLY... 680 00:26:38,410 --> 00:26:41,420 EVEN THOUGH SOMETIMES WE MAY TAKE YOU FOR GRANTED 681 00:26:41,450 --> 00:26:44,190 AND THROW EMBARRASSING HISSY FITS AND GET DRUNK 682 00:26:44,220 --> 00:26:47,820 AND GENERALLY ACT LIKE WE DON'T GIVE A SHIT ABOUT ANYTHING. 683 00:26:49,190 --> 00:26:50,660 - SO YOU'RE JUST BOTH 684 00:26:50,690 --> 00:26:52,900 ADOLESCENT GIRLS AT HEART, RIGHT? 685 00:26:52,930 --> 00:26:56,900 - YES, WE ARE, THE BOTH OF US. 686 00:26:58,430 --> 00:27:01,100 - I LIKE YOU LIKE THIS. 687 00:27:01,140 --> 00:27:03,440 - WHAT, ALL DEFEATED AND SHIT? 688 00:27:03,470 --> 00:27:04,910 - YES. 689 00:27:04,940 --> 00:27:08,040 YOU'RE LIKE-- YOU'RE LIKE PUTTY IN MY HANDS. 690 00:27:08,080 --> 00:27:09,980 - OH, YEAH? - REALLY. 691 00:27:10,010 --> 00:27:12,780 - DO WITH ME WHAT YOU WILL. - MM. 692 00:27:12,820 --> 00:27:15,880 - * I'LL SHINE UP THE OLD RED SHOES * 693 00:27:15,920 --> 00:27:19,690 - ANYTHING? - YEAH, ANYTHING AT ALL. 694 00:27:19,720 --> 00:27:22,290 - * I'LL COME HOME STRAIGHT FROM WORK * 695 00:27:22,320 --> 00:27:25,330 * IF YOU SAY 696 00:27:25,360 --> 00:27:27,130 * THAT YOU LOVE ME 697 00:27:27,160 --> 00:27:29,260 - MM. HANK? 698 00:27:29,300 --> 00:27:30,270 - WHA... 699 00:27:30,300 --> 00:27:33,340 - YOU KNOW WHAT I SAID ABOUT BILL THIS MORNING? 700 00:27:33,370 --> 00:27:34,800 - YES. 701 00:27:34,840 --> 00:27:36,300 - [whispers] GOT YA. 702 00:27:36,340 --> 00:27:40,180 - * DIDN'T I, DIDN'T I, DIDN'T I SEE YOU CRYIN'? * 703 00:27:40,210 --> 00:27:42,180 - YOU FUCKER. 704 00:27:42,210 --> 00:27:44,010 - [laughing] 705 00:27:44,050 --> 00:27:45,710 - * FEELING ALL ALONE WITHOUT A FRIEND * 706 00:27:45,750 --> 00:27:49,280 * YOU KNOW I FEEL LIKE DYING * 707 00:27:49,320 --> 00:27:56,320 * OH, DIDN'T I, DIDN'T I, DIDN'T I SEE YOU CRYIN'? * 708 00:27:56,360 --> 00:27:59,830 * I WANT YOU 709 00:27:59,860 --> 00:28:03,270 * TO WANT ME 710 00:28:03,300 --> 00:28:06,900 * I WANT YOU 711 00:28:06,940 --> 00:28:10,010 * TO WANT ME 712 00:28:10,040 --> 00:28:13,440 * I WANT YOU 713 00:28:13,480 --> 00:28:16,440 * TO WANT ME 714 00:28:16,480 --> 00:28:19,980 * I WANT YOU 715 00:28:20,020 --> 00:28:23,220 * TO WANT ME